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Updated dicember 30, 2014• Acercamientos a la sinestesia a través de la animación primitiva y digital. La metáfora visual como elemento sinestésico creativo en publicidad. Abel Hernández. (UGR)
• ART AND COMPUTATION CREATING INTERDISCIPLINARITY FOR A COMPLEX TECHNOLOGICAL EDUCATION . Carla Giane Fonseca do Amaral, Adriano Fiad Farias IFSul Sapucaia do Sul – Brasil
• Non-Auditory Associations of Musical and Non-Musical Sounds in General Listeners. Alexandra R. Rieger and Michael A. Casey. Bregman Media Labs, Dartmouth College
• “Dibujando la música”. Manuel Bru Serrano (UGR)
• SYNAESTHESIC CONNOTATIONS: BLOOD IN ART - CONNOTACIONES SINESTÉSICAS: LA SANGRE EN EL ÁMBITO DEL ARTE. Gertrudis Román. (UGR)
• SYNESTHETIC CORPORAL IMPROVSIATION AS FIELD RESEARCH AND REFLECTION FOR ARTIST OF SCENE Robson Rosseto
• En el silencio, sólo se escuchaba...” La sinestesia en el silencio como método creativo a través de la Videopoesía. “In the silence, one could only hear...” Synesthesia in Silence as a Creative Method through Videopoetry. Sonia Torres Cantón, Sara López Cantos (UGR)
• Visual Interplay of Graphics and their Induced Synesthetic Sensation. Toni Froehlich
• Anthropomorphism in graphic illustration.Luis Gomes accepted (nº 51-52)
• ARTE, CIENCIA Y TECNOLOGÍA: UN LUGAR DE LAS TRANSFIGURACIONES SENSIBLES. Javier Dominguez. US
• The Performing Style Of The Violin In The Pictorial Music By Hans Zimmer. Dr.Osama Mohammed Hussein Gad. Orchestration music department, Faculty of specific Education, kafr elsheikh university, Egypt .
