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VI Congreso2018

 

 

VI International Congress Synesthesia, Science & Art.

 

18-21 may 2018

INICIOHome/inicio | News | Colaboradores | The Congress | Muvi4 | Programme | contact. Sedes: /Capuchinos / Teatro/ Palacio Abacial /Fortaleza de la Mota

Actividades Paralelas

Taxistas Alcalá la Real .

Contacto: ANTONIO ARANDA.

Telf: 0034 659555908

e-mail: arandarue@yahoo.es

 

 

Where can I find accomodation?/¿Cómo puedo encontrar alojamiento?

Hotel Torrepalma. Contacto: María.953581800. www.hoteltorrepalma.com

Llave de Granada. Apartamentos y spa. Contacto: Antonio. 953583691  www.llavedegranada.com

Hospedería Zacatin. 953580568.  www.hospederiazacatin.com

Hostal Río de Oro. Contacto Loli . 680578284

 

PROGRAMA (PUEDE TENER CAMBIOS DE ÚLTIMA HORA)

PROGRAMA – PROGRAMME
General remarks // Cuestiones generales
            Categories // Categorías

  1. Neurociencia y cognición / Neuroscinece and cognition
  2. Neurológica y lingüística / Neurology and linguistic
  3. Psicológica y psiquiátrica / Psychological and psychiatric
  4. Lingüística y literaria / linguistic and literary
  5. Percepción, creatividad y sinestesia/ Perception, creativity and siynethesia
  6. Didáctica y educación / Teaching and education
  7. Artística / Artistic
  8. Gráfica, diseño y sinestesia / Graphics, design and synesthesia
  9. Nuevas tecnologías y sinestesia / New Technologies and synesthesia
  10. Música y sinestesia / Music and synesthesia
  11. Arte Terapia y Sinestesia/arttherapy and Synaesthesia

 

Types presentations // Tipos de presentaciones

60 min. principal lecture // conferencia inaugural 
40 min Top-4 abstracts // los 4 mejores abstracts
30 min long presentations // presentaciones largas
15 min short presentations // presentaciones cortas

 

Characteristics of each panel // Características de cada panel

•  The languages of the conference are English and Spanish with simultaneous translation //los idiomas del congreso son el español y el inglés, contando con traducción simultánea.
•  5 min introduction to each panel by the moderator //Cada panel será presentado por el moderador (5 min.)
•  5 min break between presentations for next lecturer and technical rework //Se contará con 5 min entre las presentaciones para el cambio de ponente o cuestiones técnicas.

At the end of each panel, the moderator will wrap up the session.

 

Overview // Estructura global

18 May 2018 – 18 mayo 2018
9.30 – 10.30  Congress Registration - Registro

10.30 – 11.00 Opening Ceremony - Inauguración del congreso

Mesa de Honor:
Excmo. Sr. Alcalde de Alcalá la Real, D. Carlos Hinojosa
Concejalía de Cultura, Excmo. Ayuntamiento Alacalá la Real, Jaén, D. Juan Francisco Martínez
Representación Instituto de Estudios Giennense, Diputación Provincial de  Jaén, Sra Dña Adela Tarifa Fernández, Dr. Pedro Galera Andreu
Sr. Rector Universidad K.F.S. Egipto. Elkemary
Sr. Decano de la Facultad de Bellas Artes, UGR. Dr. Francisco José Sánchez Montalban
Dirección Congreso, Dra. Mª José de Córdoba Serrano

Panel I:
Percepción, creatividad y sinestesia/ Perception, creativity and synaesthesia  
Gráfica, diseño y sinestesia / Graphics, design and synaesthesia.

11.00 – 11.50 Key Note Speaker – Conferencia inaugural:Dra. Dina Ricco. Politecnico de Minalo.Department of Design, Italy. “Synesthetic translation - a theoretical framework”

Short break

12.15– 12.45: Sergio Basbaum, Dept. of Computation, Pontifícia Universidade Católica de São Paulo - PUC-SP. “Sense and meaning: body senses and language in a synesthetic key

12-50 – 13.05: Michael Funk,University Assistant, Philosophy of Media and Technology, University of Vienna, “Synaesthesia in the philosophical works of Ludwig Wittgestein”

13.10– 13.25 Michael Haverkamp, Institution Germany. “Hugo Meier-Thur – Synesthesia and Life in Black and White”

Time for questions and discussion.

LUNCH BREAK

17.00 – 17.15: Andrea Togni,FINO Consortium
Italy “Synesthesias as sensory modalities”

17.20 – 17.35: Jasmin Rani SINHA, Martin SCHLÖSSER
Synaisthesis, Belgium. “Can You Teach Me To Fly Like That?” – Translating Spoken Language Into An Animated Synaesthesia Movie”

17.30 – 17.45: Time for questions and discussion

18.00 – 19.00: MuVi5 films selections and  Award Ceremony

19.30 h: Inauguración Teknesyn II Opening Act /Inauguración. Palacio Abacial.

 

19 May 2018 – 19 mayo 2018

Panel II:
Neurociencia y cognición / Neuroscinece and cognition
Neurológica y lingüística / Neurology and linguistic
Nuevas tecnologías y sinestesia / New Technologies and synesthesia

10.00 – 10.40:Jörg Jewanski1 , Julia Simner2 , Sean A. Day3 , Nicolas Rothen4 , Jamie Ward2. 1 Department Musikhochschule, University of Münster, Germany 2 School of Psychology, University of Sussex, Brighton, UK 3 Department of English and Journalism, Trident Technical College, Charleston, South Carolina, US 4 Institute of Psychology, University of Bern, CH. “Synaesthesia: the development of its terminology”

10.45 – 11.20:Anton Sidoroff, Moscow Pedagogical State University. Russia  “Lev Vygotsky and Solomon Shereshevsky. Synaesthesia/eideticism and culture influence: history and perspectives in consciousness study”

11.20 – 11.35: Time for questions and discussion

11.40– 12.20: Mas Casadesus, Anna1; Ward, Jamie2; Simner, Julia2; Carmel, David1; and Elena Gherri1.1 Department of Psychology, School of Philosophy, Psychology, and Language Sciences, University of Edinburgh, Edinburgh, UK 2 School of Psychology, University of Sussex, Brighton and Hove, UK United Kingdom.Assessing systematic differences in intermodal attention between synaesthetes and non-synaesthetes

12.25 – 12.55: Helena Melero, Universidad Rey Juan Carlos, Madris, España.“From pain to pleasure: a neuroscientific approach to pain-color and orgasm-color synesthesias

12.55 – 13.05 Time for questions and discussion

13.10 – 13.40: Sean Day, Department of English and Journalism, Trident Technical College, Charleston, South Carolina, USA“Synaesthesia in evolutionary perspective

13.45 – 14.00 Time for questions and discussion

LUNCH BREAK

16.30 – 16.45: Joshua Berger, The University of Sydney
Australia, “Bespoke calculator makes synaesthesia easier”

16.50 – 17.05: Javier Aparicio, Universidad Carlos III de Madrid. Spain. “SynBody Scores. Visual representations from: body movement, music composition using a wearable computing garment as an hyperinstrument.

17.05 – 17.15 Time for discussion and questions

17.20 – 17.35: Lidell Simpson, USA, “Experience testing the new protype being a touch to sound synesthete”

17.40 – 17.55: Davide Antonio Gambera, IADE, Universidade Europeia, Laureate International Universities, Lisboa, Portugal; Dina Riccò,Politecnico di Milano, Department of Design, Milano, Italy; Emília Duarte IADE, Universidade Europeia, Laureate International Universitie,Lisboa, Portugal.  “Design for health and well-being: a case of synesthetic design”

 Time for questions and discussion and wrap up of the panel

18.30 – 20.30: SIGCA Software workshop, José Antonio Fernández, (laptop and usb required)

 

20 May 2018 – 20 mayo 2018

Panel III
Didáctica y educación / Teaching and education
Arte Terapia y Sinestesia/art therapy and Synaesthesia

10.30 – 11.10: María José de Córdoba, Departamento de Dibujo, Universidad de Granada y Fundación Internacional artecittà.Does the territory and the cultural environment determine the possible "condition" of synaesthesia and its degree? Brief introduction to comparative studies on people with synaesthesia in the world.

11.35 – 11.50:Ninghui XIONG.Painting Music Art Synesthesia Studio. Beijing. P.R. China; Tongjun DING Art Media Dept.,Qian Jiang College, HangZhou Normal University P.R.China; Xin JIANG Beijing No.24 Middle School, P.R.China
Maria Jose De Córdoba, Granada University, Spain. Timothy B Layden Artecitta UK delegate, United Kingdom; Dina Riccò. Politecnico di Milano Italy  “Synaesthesia in China 2016/2017

11.55 – 12.10: Víctor Parra,Universidad Pedagógica Experimental Libertador, Venezuela.  Dr. Wilmer Chávez, Universidad Centro occidental Lisandro Alvarado, Venezuela. Seminario de sinestesia, ciencia, arte y creatividad horizontes y perspectivas pedagógicas”

12.10 – 12.25: Time for questions and discussion

12.25 – 12.40: Yuan Liu,  Daniela Anna Calabi and Dina Riccò. Politecnico di Milano, Italy. “Synaesthetic and Haptic Experiences in Didactic Activities for Students of Design. An International Framework”

12.45 – 13.00: Juan García Villar, Dpto.Pintura, BBAA, UGR y Fundación Internacional artecittà “Color y representación pictórica: una experiencia sensorial y sinestésica en la pintura de alumnos con discapacidad intelectual en un contexto inclusivo”

13.05 – 13.20: Elena Caratti and Giovanni Baule. Politecnico di Minalo. Italy “From picture books to apps: didactic experimentations of transmedia translation

13.25 -13.45: Gloria Bova, Independent researcher of Eukos society
ItaliaSynesthesia and synesthosis. Change, creativity and healing

 Time for discussion and questions  - Panel Wrap-up.

14.00h Presentation of Synaesthesia Lunch

LUNCH BREAK

17.00 – 18.30: Acinema  performance

19.00 - 20.00: Bolero Event

  

21 May 2018 – 21 mayo 2018

Panel IV:  Literary, Artistic, Music, Cinema

10.00 – 10.30h: Christine Söffing(1), Timothy B. Layden (2), Esther Kretzinger (3)
(1) Synästhesiewerkstatt & Center for Music & Art, Ulm University Germany (1,3) , UK (2)
Synaesthesia – a secret language? Continuing the artistic research in the shapes of sounds

10.35– 10.45: Patricia L. Duffy, United Nations Language and Communications Programme USA. “Portrayals of synesthete-characters in Recent Fiction"

10.45 – 10.55: time for questions and discussion

11.00 – 11.15:Rustem Sakhabiev1, Jörg Jewanski2
1 Musikhochschule, University of Münster, Germany & Kazan’, Russia
2 Musikhochschule, University of Münster, Germany. Abstract films and their correlation to music. Artistic experiments with synaesthesia at the Promnetheus-Institute in Kazan', Russia

11.20 – 11.35: Ningui Xiong. Painting Music Art Synesthesia Studio. Beijing. P.R., ChinaSynaesthesia Expression, Inner Music Characters in Painting

11.35 – 12.00: Fernando Egido, composer
Spain, Intrasensory Synesthesia in Musical Composition

12.00– 12.15: time for questions and discussion

12.20 – 12.35: Laura Carlucci and Clara Puerta Capa, Universidad de Granada. University of Granada, España. SpainLa música en el subtitulado para sordos. Analogías intersemióticas. Music in subtitling for the deaf and hard-of-hearing: intersemiotic analogies”

12.40– 12.55: Toni Frölich, Basel, Switzerland; Raewyn Turner Auckland, New Zealand , “The Nature of Nano – How we can sense a tiny little World”

13.00 – 13.15: time for questions and discussions

13.15 – 13.30: Ângelo Dimitre Gomes Guedes, Universidade Nove de Julho
Brasil, “Un retrato de la sinestesia en la fotografía”

13.35 – 13.50: Terry Tricket “Olivier Messiaen's Esoteric World of Sound and Colour
Time for questions, discussion. Panel wrap-up.

LUNCH BREAK

16.30h – 18.30 : Collective wall painting outdoors

19.00 – 19.30: Closing Ceremony – Clausura del congreso

19.30 – 21.00: Intermodal performance: Ensemble interprofesional.

 

POSTERS

  • POSTER

Li Zhong, Northwest University for Nationalities
Lanzhou, Gansu Province, 730030, P.R. China

 

Floating Instruments Playing Themselves in Dunhuang Fresco

  • POSTER

Edson Takayuki Tani
Institution UNINOVE - Universidade Nove de Julho
Brasil

Listening to Visual Forms - an exercise of proportions using a Pythagorean monocord

  • POSTER

Ling Wang, College of Foreign Languages, Yunnan University P. R. China

The Synesthetic Symbolism of the Buddhist Music and Dance Images of the Bai People in Dali, Yunnan, China

  • POSTER

Rita Varlesi and Paulo Costa

In-finitude – Ambiência digital

  • POSTER

Marina Buj, Universitat de Girona y Universitat de Barcelona (UB)
España

El pentagrama musical desde la mirada gráfica: Propuestas en la notación contemporánea

  • POSTER

Cc Hart

Fractured Color: orthopedic injuries as perceived by a manual therapist with synesthesia

  • POSTER

Valentina Agostini Pregelj, Akademija za likovno umetnost in oblikovanje, Univerza v Ljubljani (Academy of fine arts and design, University of Ljubljana)
Slovenia

Exploring the Forms of Fear

  • POSTER

Xin Jiang, Yuzhu He, Liyan Liu, Qing Yu, Nan Zhang, Andi Xiong and Ninghui Xiong,Beijing nº24 Middle School, P.R.China

Art Synaesthesia Course in Beijing No.24 Middle School

 

 

 

Plazos/Important Dates

 

Las Conferencias y comunicaciones se organizarán dentro de estas áreas/Conferences and communications will be organized within these areas:

  • Neurociencia y cognición / Neuroscinece and cognition
  • Neurológica y lingüística / Neurology and linguistic
  • Psicológica y psiquiátrica / Psychological and psychiatric
  • Lingüística y literaria / linguistic and literary
  • Percepción, creatividad y sinestesia/ Perception, creativity and siynethesia
  • Didáctica y educación / Teaching and education
  • Artística / Artistic
  • Gráfica, diseño y sinestesia / Graphics, design and synesthesia
  • Nuevas tecnologías y sinestesia / New Technologies and synesthesia
  • Música y sinestesia / Music and synesthesia
  • Arte Terapia y Sinestesia/arttherapy and Synaesthesia

 

Comité Organizador/Organization Committee:

 

 

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